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  • Fluffy

    Cats formed the shape and backdrop of most of my childhood life. The succession of felines who came and went were nearly as much a part of my emotional landscape as my siblings, and became my beloved, and often closest, friends. None of them, however, in terms of sheer influence, scope, and longevity, compared to Fluffy.

    Fluffy showed up when I was five years old, a tiny morsel of black-and-white fur found as a stray and presented to my family by a friend. I clearly remember her arrival, the doorbell ringing and the man standing on our doorstep cupping the wee kitten in his hand. My excitement knew no bounds. Some time before, my cat Muffy and her son Tigger had disappeared when we left for vacation and I still mourned their loss. I was thrilled for a new cat to take their place.

    At the beginning the baby was so small that my parents were afraid they'd lose her in our enormous house; so they confined her to a wire dog crate they'd borrowed from a friend. This was Fluffy's home for the first few days until my parents grew more confident that she'd be safe navigating the expanses of our home.

    I recall kneeling in front of the crate and inspecting my new companion with adoring eyes. My mother asked me, "What do you want to name her?" and I promptly replied, "Fluffy." In my not-so-imaginative five-year-old mind, this was the perfect name for a cat.

    When she was released from her cage, poor Fluffy became the object of my passionate and rambunctious love. She was subject from the beginning to being picked up and dragged around heedlessly by whatever portion of her anatomy was handy, at my whim and despite her vigorous struggles. My parents' friends tell of arriving one day to see me carrying Fluffy by the head, her entire body dangling. My mother attempted to teach me better cat-handling techniques, but to no avail. I loved Fluffy, and poor Fluffy was treated in much the same way as my stuffed animal collection.

    My mother has pictures of me and Fluffy when we were both kittens. In one, I’m sitting on the couch, smiling triumphantly. Fluffy’s on my lap splayed out on her back, my hands clutching her chest. I’m looking supremely happy. Poor Fluffy was probably feeling anything but.

    Fluffy survived, but sad to say, her personality underwent an unalterable warping as a result of my treatment and my father's abusive animal-handling techniques. She became unpredictably vicious, biting and scratching to defend herself from unwanted touch. You could sometimes, very carefully, pet her, but her tolerance would quickly turn and she’d snap. The top of her head was about the only place you could safely stroke her, and that only for a time.

    Once when I was about five, I was carrying her bundled in my arms up the stairs; she decided she wanted out and bailed, leaving kick-scars from her back feet on my chest that remain to this day. Matching stitch-shaped scars on both my thumbs still remind me of her. She was doing only what she had to do to survive: learning coping techniques to defend herself from a child who wouldn’t learn anyway else.

    Despite this, Fluffy was a valuable and much-loved member of our family. On warm summer evenings, we'd often take walks. Fluffy would follow us, trailing behind several feet and making side-excursions to sniff out interesting possibilities. Despite the fact that she took pains not to come too close, she always tailed us the entire route and home again.

    Fluffy was a fierce and inveterate dog-hater, immediately routing any canine who dared to invade our yard. A force to be reckoned with and a no-nonsense defender of her territory, she intimidated even the biggest dogs.

    Fluffy grew from a tiny kitten to a large and imposing cat. For most of her adult life, she was rather overweight. When she sat, her tummy spilled over her feet. She was strikingly black-and-white marked, with huge golden eyes; she had presence. When she simply sat in a room, you were aware. We were homeschooled, and Fluffy spent much of the schoolday tramping across or lying on our papers as we worked, biting if she was disturbed. Our childhood friends were rather in awe of her, as were we. She commanded respect.

    She was a member of the family, pure and simple. My brothers could scarcely remember life before her; my sisters were born into a family where Fluffy occupied her stately and matriarchal place.

    Over the years, Fluffy tolerated with varying degrees of hatred other cats that we introduced. The new cats, especially the male kittens, always tormented her, chasing her and batting at her tail as it hung temptingly off high surfaces. Many of these cats came and went; we didn’t have much luck with the additions, but Fluffy remained.

    Fluffy had some rather odd habits; among them, a taste for earwax. She'd frantically and unceasingly lick your ears if you presented them to her, a scratchy and uncomfortable sensation. She also had a passion for green beans, spaghetti sauce, and most especially, Saltine crackers.

    As she got older, Fluffy developed a strange quirk that I’ve never heard described anywhere else. She'd suddenly begin meowing frantically, a rapid-fire series of desperate cries that meant only one thing. She'd then rush up to the nearest person and flop on her side for a tummy rub. Normally to touch Fluffy's tummy was to invite death. But in these moods, the harder you massaged her stomach, the happier she was. She'd lie still as her body rocked back and forth and every once in a while utter contented little squeaks. My theory was that she was undergoing some sort of delayed maternal delusion, and the tummy-rubbing, to her, simulated suckling.

    But my best memory of Fluffy comes in her most un-Fluffy-like moments. Normally she was a terror, difficult to touch and impossible to pick up. She bit, scratched and hissed when her autonomy or personal space was threatened. There was one exception.

    When one of us children was crying, Fluffy invariably sensed it. She would rush to us and lie down beside us, peace restored for the moment. During those times, we could pet and snuggle her without fear. She seemed to understand emotional sorrow, and in her cat-wisdom, was trying to comfort her charges.

    Fluffy developed stomach cancer when she was about fourteen. Normally a well-padded and imposing figure, she dwindled to a skinny frame with stick-legs and a sad flap of a stomach hanging down where there used to be a roll of fat. She became weaker and sicker, and the treatments our veterinary clinic offered had no effect. To this day my sister speaks with rage about it. She’s learned that clinic has a reputation for malpractice, and is convinced Fluffy's life could have been prolonged had we taken her somewhere else.

    At the age of fourteen, when I was nineteen and just beginning my second semester at college, Fluffy had to be put to sleep.

    My mother took her; such was her grief, she had to have her mother accompany her for emotional support. Fluffy was literally and truly a part of our family, and her physical and personal presence had carved out an enormous niche in our home and our hearts. Life without her was almost unthinkable.

    I still wish, when I think about it, that I could have been there to say goodbye. At the time, I was building a new life and hardly thought about what went on at home. But perhaps it was easier that way. I don’t know how I could have handled being at the side of my longest-standing friend when she had to die.

    When I went back home to visit, something was different. A tangible presence was gone. I kept expecting to see her black-and-white form cruising the carpets or sitting on the table, her favourite perch despite persistent efforts to train her out of it. I would have given anything to be able to pet her and have her snap at me, feeble and few as her efforts had become in her older years. It didn’t seem right; the house was emptier.

    That feeling persists to this day. When I visit home, it’s not quite the same. I half-expect to see her, but she’s not there. It’s as if the passing of Fluffy, coinciding with my move away from home and into a different life, symbolized the passing of an era. My childhood life, my childhood home, are no longer. They’ve gone, and the ghosts of memory remain only. Largest among them, and most fondly remembered, is the ghost of a rather portly, rather grumpy, but oh-so-dearly-beloved black-and-white cat. Fluffy.

  • Chipmunk dying

    Tonight I rescued a chipmunk from the cats. I saw them both lying and staring with the air of two men at a football game, detached yet professionally absorbed, at something flipping and jumping desperately in the grass. Bruno, the black expert hunter, got up to bat at it or mouth it occasionally but casually.

    When I went over to look, it was a chipmunk. Normally I don't interfere with the cats' hunting but this time I took action. I have a soft spot for those cute little guys especially because in my garden in the city, one lived and would whiz about the grass flicking his tiny tail and filling his cheek pouches to enormity beside his small bright face. He was a daily delight and I was shocked when I saw one just like him cowering in weak and desperate fear, certain it was about to die.

    "No, Bruno!" and I moved to take it away from him. But Bruno suddenly took a stronger interest in it and picked it up in his mouth, trotting away to protect his prey. I called him softly and torn by his desire to greet me, he dropped it and turned. I snatched both him and his brother up and took them into the room in the barn where they are shut at night, quickly closing the door behind them. Normally they rush to the food bowl. This time Bruno was gently but definitely distracted, straying toward the door with the knowledge that his hunt hadn't been completed. I felt sorry for him, definitely, but sorrier for the chipmunk.

    I found some sturdy gloves and a bucket and went back to where the chipmunk was, certain it would be gone. But it was still there, cowering in the grass perfectly still, its eyes slightly glazed over. Obviously it felt its salvation was in playing dead, or else it was too weak of fright to move. I picked it up and it offered no resistance. I examined it closely but couldn't find any puncture wounds. I think the psychological trauma of being caught by the cat, and, it knew, close to death, had severely damaged it. I put it into the bucket and it lay there, unmoving. Only its slight starts at any sudden sound and its terrified breathing, puffing out its midsection in rapid gasps, gave away the fact that it was alive.

    I carried it far out to the edge of the back field and found a spot in the woods to put it, underneath some bricks that had once formed part of a chimney. I hoped it would run away once in the shelter of the woods, but it lay just as I had put it, curled up, head downwards to the earth in a seeming total resignation to death that was somewhere beyond despair.

    I prayed over it. Funny as it may sound, I prayed that God would heal it. And I left it there. There's nothing more I could do. I had a mental tug-of-war over whether it would have been more merciful to let the cats kill it, but I couldn't bear to do that. At least this way it has a chance.

  • Old writings

    For lack of better things to blog about, I am going to include some snippets of older writings, things hammered out on a whim when something struck me and worked its way round in my mind till it demanded to be spilled out on paper, or computer at least. Before I had a blog, they lived as miscellaneous and unrelated snippets on my computer's hard drive. Now, they exist as miscellaneous and unrelated snippets on Blogger's servers' hard drives, for all the world to see, or at least those bits of it that happen upon them.

    Upon meeting a fat white cat in the dark


    As I was walking down the street one evening after dark, I met a very fat, pure white cat who peered at me curiously with round and innocent eyes round some foliage. I stopped to greet it. “Hello, wiblet,” I said (“wiblet” being the generic term for cat, particularly fat cats with small heads).

    The cat “mrrp”ed at me loudly and in a friendly manner, staring full into my face with wondering and pleading eyes, so I bent down and talked to it gently. It approached, and I moved to stroke its head, but with the ingenuity that un-introduced cats have it ducked and managed to keep its nose just barely touching my hand, like a security guard frisking a suspicious-looking customer. After it had satisfactorily sniffed me it pushed its head against my hand in a very warmly accepting way; then in the sudden way such cats have turned and began nosing around the foliage again as if on urgent business.

    I spoke softly to it again, and in the sensuous and tantalizing manner of a cat it turned its back and began winding its way slowly, tail up, back into the gate leading to its home. I stopped and stood up, explaining to it that I couldn’t follow it, much as it seemed to be indicating to me it would like me to. I left it there, stroking its head on the gate and waving its tail pensively, to go about its fat-white-cat ways unhindered.

    Written on a dreamy summer day


    The fan is steadily blowing a stream of cool air into the room from the outside. The sunshine is in that dreamy hazy stage which threatens storms. The air sleeps, but turmoil is just beneath the surface. Any moment now it could spill over into clouds, lightning and rain in that turbulent, dramatic way summer days have. It's a middling brightness dwindling into overcast but with an excited edge, sitting between peace and wrath. This is my favourite kind of a day.

  • Cat

    Had a rather unpleasant incident happen today which reminded me briefly of too many similar ones from my childhood.

    Driving back home from small errands, the bank and the library, I suddenly noticed something startling at the side of the road: a cat, lying in a way no cat normally would, stretched out on its side in the gutter, just by the curb and behind a parked car. It was a very white cat, with few light gray markings, making it stand out brilliantly and rather garishly in the gray street.

    I had only a second in which to see it, double take, and react. It was a second that resounded as an unpleasant shock. I swiftly pulled two cars in front, parked, and went back. If the cat had only just been hit, I could get it help, I could call an emergency vet, I could find and alert its owners to prevent a family's small, sad sorrow at the death of a beloved pet.

    But as I approached it, hope quickly fled. The cat was completely motionless, not even the shadow of a breath, and its appearance led to the conclusion that it had been there some time. Determined to be sure, I prodded it gently with the tip of my foot. It was stiff like a board and its fur was sodden with last night's rain and streaked with the grime of the street. It was clearly male and lacked collar or other identifying marks.

    Apart from the signs of death, the cat looked for all the world like any normal cat which had stretched out on its side for a long, lazy nap: eyes closed, one paw extended out in front, only the incongruity of its surroundings and its un-catlike filth and damp detracting from the picture. No blood, no broken bones, and no bloating marred its body.

    What to do? I couldn't just leave it there. I have had too many animals die this way, on the road, not to pity someone else's loss. I looked around, decided on the house closest to it in my side of the street, went up the stairs and knocked on the door.

    It was a long time before I heard footsteps coming and the door opened. It was a small, pleasant-looking girl about my age. "I saw you—is it about the cat?" she began. I nodded.

    "We don't know who it belongs to," she said. "We've called police and animal control and they still haven't come to pick it up. There's a guy who lives here who's coming home later, and he said he'd help us with it. I don't know what to do with it, I guess we'll have to bury it or something." She shrugged.

    Suddenly another door flung open and a very tousled-looking, sleepy-eyed girl with clothing in disarray looked out. "Is it about that cat?" she asked. "Is it still there? We've called the f***ing police and they still haven't come to take it away. It was there at midnight when we got home." I said nothing, but by her appearance I could guess that her night hadn't ended at midnight.

    An equally tousled- and sleepy-looking guy soon appeared behind the girl to corroborate their story. The gist of it was that the cat had been lying there all night, they'd called police and animal control and flagged down a passing patrol car, and the police said yes, they knew about it and they'd remove it but they hadn't yet. Animal control was only open Monday and Friday. No, they didn't know who it belonged to, but Andre (which seemed to be the name of the tousled guy) had seen it around the neighbourhood. Yes, it was a shame and very sad.

    There appeared to be nothing more I could do. We commiserated about it for some time and I offered help but the situation seemed to be as under control as it could be. They thanked me and I got back into my car and went home.

    I guess I wanted nothing more than for the pitiful sight of the dead cat, somebody's pet, to be removed from the roadside. It was almost obscene, like a person had died there and been left for all the world to see, no dignity granted it in its final moments, nobody caring enough to remove it from the public eye. It is odd the difference between a domestic animal dying and a wild animal, like a squirrel or a deer. Both are sad, but I suppose the shocking element in a cat or dog's death is the fact that there have been so many cats and dogs that I have known, that have been part of my family or others' and dearly part of my heart. They have a way of working their small and infinitely unique personalities into your affections to almost the same degree as a human friend. I suppose it is the way God created it: cats and dogs seem uniquely designed as human companions and, I firmly believe, have high capacity for genuine love.

    I hope this cat doesn't represent somebody's heartbreak. But I equally hope that he doesn't die unmourned. I hope they are able to find his owner, and I hope the owner is worthy enough to be sad at the loss of such a handsome cat. Cats have long been counted among some of my dearest friends. I was sorry to see one die this way.

  • Mugsy

    Mugsy

    He's gone. The most beautiful, wonderful, happiest, most loving cat in the whole entire world, is gone.

    "No longer with us." That's the phrase Julie, his owner used. She called me at work today to let me know. "I've got some bad news," she said. I immediately stiffened. "Are you ready?" "I don't know," I responded, holding tight to the phone. She went on to tell me anyway in a voice resigned with sorrow. "Mugsy's no longer with us," she said.

    I knew when she said it was bad news it had to be one of the cats. Mugsy or Bruno, his brother, but I suspected it would be Bruno. With his more adventurous habits, we had more than once commented that he was in danger of being hit by a car as he crossed the road.

    "You're joking," I said. She was not. She proceeded to relate the story. February 11, one day after her birthday, a woman came to the door crying and asking if they owned a gray cat because she had just hit one. It was Mugsy.

    Julie said that he had looked perfect, completely unmangled, as if nothing had happened to him. They laid his still-warm body down on a grassy knoll and prayed over him for a long time, but he didn't revive.

    Mugsy. "The joy of the farm, the most wonderful cat in the world," Julie called him, and it was true.

    She hadn't wanted to tell me on Sunday when she saw me in church (I was in Canada the day that it happened). I had asked after Mugsy and she'd said, "He's fine, as ever," with a nervous laugh. And I'd asked how Bruno was. "With his habit of crossing the road, I keep being afraid I'll hear bad news about him," I remarked. I now wonder how she kept a straight face.

    I can hardly believe that he's gone. I can hardly believe that when I go back to the farm (and I am afraid to now), I won't be able to call, "Here, kitty, kitty," and see his smiling gray face bounding toward me as he runs full tilt to throw himself at me, in the rapturous way he had that made you feel like the most special person in the world. I won't feel the gentle pressure of his wet nose and soft cheeks as he "kisses" me cat-style by rubbing his face against mine. I won't feel his sturdy squirming body cuddled in my arms, or hear his thunderous purr, or feel his ever-active claws pricking my skin as he kneads my arm. I won't feel the softness of his long fine gray fur, or watch as he jumps on his brother, tackles him, and bites his neck. I won't be able to see him crazily whirling and jumping after dragonflies or leaves, the former of which he rarely if ever caught. I won't hear his "miaow" from somewhere in the rafters as he wends his way through the tangle of the barn roof, or the scrabbling and thud as he falls off something. I won't hear his frantic and rapid paw-scratching on the glass door as he stretches himself up and works away in a desperate bid to be let in the house. I won't be able to watch the funny way he jumps off my lap and runs to investigate the sudden water stream released by the bathroom pipe outlet. I won't see his intense and love-filled green eyes staring into mine. He was always smiling, always happy, always totally in the moment, always the clown, always loving. The most wonderful cat in the world is no longer with us.

    Julie said they kept him for a few days while they waited for warm weather to bury his body. She didn't want to burn him. She hasn't yet found a good stone to mark his grave.

    Why is it always the best ones that go? And why did it have to be by car? Mugsy always (I thought) stuck close to the house. He was terrified of cars. If one started up while he was in the vicinity, he would run. If you were holding him and a car went by on the road, he'd tense to flee. If it was in the driveway, you'd have a very tough job holding him as he scrambled desperately to escape. Bruno, his gentle brother, was the one who crossed the road. If either of them got hit, we thought it would be Bruno. In fact (ironically now) I always consoled myself that at least if we lost one, it would be Bruno (not that I didn't love him but I had a fiercer affection for Mugsy).

    In the end it doesn't matter. Mugsy's gone, I hope he did not suffer and never knew what hit him. He will never adorn the farm anymore as its liveliest and lovingest denizen. Its smiling sunny fields and (to him) endless possibilities for amusement and play will be emptier and sadder now.

    And I have lost a dear and wonderful friend.

    I do hope cats get to heaven. Because if they do, the first one I want to see there is Mugsy.

    RIP, little friend.

  • My Cottage Nest

    My Cottage Nest
  • From The Front Porch of Shannon Smith

    From The Front Porch of Shannon Smith

    From The Front Porch of Shannon Smith
    Artist

    Join me as I sit down with local artist Shannon Smith and have a lil' chat...

    So how did you get started painting? I was born and raised into a family of artists. My Mom, my twin sister, and I are all oil painters and my triplet brother is a photographer.

    How has growing up in a family of artists shaped you as an artist? Life as a triplet and an artist have made to be a fun and interesting one! How unique to be able to share a close sibling bond as well as all sharing the same artistic talents. My Mom was a full time mother of three, but she started painting once we got out of the house and started going to school. I was exposed to art at a young age through her works, attending art shows, and our family travels almost always included visits to art museums. I have fond memories of dabbling in watercolors in Mom's studio.
    1979, Age 7

    So did you always know that you wanted to be an artist? Wanted to be an artist, yes. I always had a love of drawing and painting and grew up wishing to be an artist like my mom but didn't believe I could do it professionally. So I did not become serious about painting until college. I earned my Bachelor of Fine Arts degree from Clemson University with my focus on oil painting. After graduating I was unsure about being able to support myself and making a career out of my art. While at Clemson, I broke my leg skiing and had to undergo knee surgery and months of physical therapy. That unfortunate experience sparked my interest in the field of health therapies, mostly physical and occupational therapy. I moved back to Charleston and went back to school for a year to fulfill the health and science prerequisites needed to apply to MUSC's graduate program of Occupational Therapy. However, I was not accepted and although disappointed at the time, I quickly realized it was a blessing in disguise!

    Had you ever shown your work before? I had exhibited in Spoleto's outdoor art show in the past with my college art and decided to paint for that year's upcoming festival in May. I painted 25 oils for the show and sold over half! I was thrilled beyond words at my success. It was the boost of confidence that I needed to follow my passion as an artist! I also give tremendous credit to my mom and her artist friends, watching them achieve established roles in the art community, both locally and nationally, truly gave me the courage to follow my passion and follow in their footsteps! I am now a full time professional artist of 15 years, showing in galleries and museums, and have not looked back since that May of 1996!

    Where do you show your work? This year we celebrate the 10 year Anniversary of the opening of our family gallery, Smith Killian Fine Art on 9 Queen St downtown Charleston. [Shannon also show's her work at the following galleries: The Well's Gallery at Kiawah Island, South Carolina; Anne Irwin Fine Art in Atlanta, Georgia; Parker Gallery in St. Simons Island, Georgia and the City Art Gallery in Greenville, North Carolina.

    Where do you paint? My painting studio is in the upstairs of my home in Mount Pleasant, but I also take my "studio" outside and paint en plein-air when nice weather and great travel opportunities permit.

    Shannon in her home studio.

    Shannon plein-air painting in the misty rain on Shem Creek.

    Also she is a Signature Member of the Plein-Air Painters of the Southeast.

    How would you describe your paintings? My subject matter varies between landscape, still life, and figures while all sharing the common theme of dramatic use of light. I consider my style to be somewhat impressionistic and representational, with strong emphasis on color and light.

    Here are some examples of her latest work.

    "Cortona Light"
    40x30 Oil on Linen

    "Lowcountry Roots"
    36x60 Oil on Linen

    "Summer House II"
    30x30 Oil on Linen

    "The Waiter"
    30x40 Oil on Linen

    "Pink and Pewter"
    16x20 Oil on Linen

    Shannon has a wall in her studio she calls her "Travel Wall" where she creates paintings from all the places she travels. In the photo, you can see one of her two Himalayan cats, Ollie (other is Rufus). Ollie likes to sit on the sofa and watch Shannon paint. In fact, sometimes Ollie gets a little too close as he had green paint all over his beautiful white fur! Just one of the hazards of being the cat of an artist I suppose.

    Shannon will be teaching a painting workshop along with fellow artist Laurie Meyer in Italy in April of 2012.

    Since I am an interior designer, you know I am going to ask you about your home!

    Your house is adorable! How long have you lived here? It will be 6 years this Thanksgiving. I bought it during the construction phase so I was able to customize some of the elements to my particular taste. What really drew me to it was the Nantucket cottage feel it had.

    What is your favorite spot in your home and why? My back screened in porch without a doubt! I grew up always having a porch where our family shared meals and time together. It is my "happy place" where I unwind and truly relax, whether it be with my morning coffee or evening glass of wine. I just love being outside close to nature... watching the birds at my bird feeders and enjoying the critters that frequent the pond behind my backyard, ie. ducks, herons, egrets, turtles, snakes, and the occasional visiting gator! All while listening to water trickle from my fountain, I also take in the fast changing colors and clouds of evening light which soon become a beautiful night sky of moon and stars. I am also fortunate to have a front porch...now that is where I go to rock in my rockers and be more social with the close-by neighbors!

    Name one item in your home that you are most proud of? I am most proud of my art collection...mostly oils and a few etchings and photographs. Of course they are all original pieces! While some are my own works, several pieces were traded with my family and artist friends, and some I have purchased through art galleries. I treasure each and every one for their meaning and inspiration to me and my life as an artist. I am out of wall space...time for a bigger house to continue my art collection!!

    What is the first item you bought for your home? Afghan and Turkish hand made rugs from Zinn Rug Gallery. Most of my wall colors and furniture are shades of white and neutrals, therefore the rugs and artwork are a chance for a pop of color.

    If you could update one aspect of your home what would it be and why? My light fixtures. When completing this house, I chose things that fit in with the traditional coastal cottage style. I now wish I had meshed more contemporary modern with the current cottage theme. I like the idea of new and modern mixed with antique and cottage...keeps it interesting! I am not at all a fan of "matching" decorating, color wise or furniture wise! I think changing out light fixtures, ie. my pendants over the kitchen bar and chandelier over the breakfast table, would be an easy way to update my home, giving it more of a modern twist without a lot of fuss.

    It has been great getting to know you better, thanks for taking the time to sit with me Shannon!

    [From The Front Porch Of ___ will become a regular post I will be doing for all of us to get to know local artists, business owners and craftsman in the Charleston area that are in some way "home" related. I hope you enjoy getting to know these folks as much I do!]

  • Harbor

  • Chase

  • Dave

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